Features and Essays
The New York Times
Contemplating a Canon of Jewish American Films
What Would the Cast of ‘Knock at the Cabin’ Do?
‘Babylon’ and the Case of the Missing Bob Haircut
The Charming Star With Soulful Eyes Happens to Be a Donkey
Nan Goldin and Laura Poitras: Two Artists, One Devastating Film
Anne Heche Onscreen: Wily and Funny but Also Unnerving
The Wall Street Journal
The Breakout Star of ‘Bullet Train’ Is…a Water Bottle?
In ‘Glass Onion,’ an Art Collection That Says ‘Rich Jerk’
The Crime Solver Inspired by ‘The Big Lebowski’
Thrillist
Why Paul Thomas Anderson Chose to Film Part of 'Licorice Pizza' at My Childhood Home
'It Has To Be Visceral': How Spielberg's 'West Side Story' Probes New York History
The Improbable Staying Power of the 'Waterworld' Stunt Show
A Brief History of 'Looks Like Meat's Back on the Menu, Boys!' From 'The Two Towers'
Rolling Stone
How Jane Captures the Legendary Primatologist – In Her Own Words
How Greta Gerwig Turned the Personal Lady Bird Into a Perfect Movie
I, Tonya: Margot Robbie on Becoming Tonya Harding
Vanity Fair
American Vandal Makes Fun of Making a Murderer, with Netflix’s Blessing
Corsets and Comedy: Inside Amazon’s The Marvelous Mrs. Maisel
GQ
Let the Sex Toy Makers Inspired by The Shape of Water Explain Themselves
How Call Me by Your Name Created One of the Year's Most Powerful Scenes
Vulture
The Making of Harley Quinn’s Deranged Visit to Crime Alley
What’s With All the Dead Horses?
How Spring Awakening Inspired a Generation of Theater Fans
Vice
Behind the Scenes of Search Party's Hilarious Second Season
W
The A.V. Club
How TV’s best music supervisors picked their Emmy submissions
In an era of gimmicks, The Graham Norton Show keeps the conversation going
Entertainment Weekly
'Gilmore Girls': A deep dive into the 'thousand yellow daisies' scene